Monday, February 22, 2016

Screen Shots! - 2016 Academy Award Edition


The 2016 Academy Awards are coming soon. What better way to kick off my Screen Shots! blurbs than with the Best Picture nominees? There are eight total this year. Which one do you think will win?


TITLE: The Revenant
NOMINATIONS: Best Picture, Best Actor: Leonardo DiCaprio, Best Supporting Actor: Tom Hardy, Best Direction: Alejandro Inarritu, Best Cinematography: Emmanuel Lubezki, Best Editing: Stephen Mirrione, Best Costume Design, Best Makeup, Best Sound Mixing, Best Sound Editing, Best Visual Effects, Best Production Design
RATED: R, for all kinds of violence
GENRE: Drama
LANGUAGE(S): English, Arikara (a Native American language), French
STARRING: Leonardo "How many bison livers do I have to eat to get an Oscar in this place?" DiCaprio, Tom Hardy, Will Poulter, The red headed British guy who is suddenly in every movie this year (aka: Domhnall Gleeson), Smokey the Bear
NOTABLE CREW: See nomination list. There's a lot.
WHAT IT'S ABOUT: A frontiersman in the 1820s fights for his life after being mutilated by a bear, witnessing the murder of his son, and being left for dead in an unforgiving wilderness.
WHAT I THINK: 1) I'll never look at my teddy bear the same way again. 2) Leo has flippin' earned that Oscar. 3) So has Emmanuel Lubezki (the cinematographer).
WHO SHOULD WATCH IT: People who value ponderously paced storytelling with an emphasis on visual poetry rather than a traditional narrative. The trailers made it look like a hard-core revenge/action flick. If that's what you're looking for, this movie isn't for you.
COOL FACTOIDS: Although you may already know about this film's reputation for the "hellish" conditions both actors and crew had to endure while shooting it in the name of realism, what was never really on set? The bear. That is a beautiful creation by the Visual Effects department. (Somebody got their nomination for a reason.) Apparently having a live grizzly bear on set would be "extremely dangerous" and "reckless" or something like that.


TITLE: The Martian
NOMINATIONS: Best Picture, Best Actor: Matt Damon, Best Adapted Screenplay: Drew Goddard, Best Sound Mixing, Best Sound Editing, Best Visual Effects, Best Production Design
RATED: PG-13, for Matt Damon cussing at a computer
GENRE: Drama, Adventure, Sci-Fi, and, despite what the Golden Globes may tell you, not really a comedy (but has funny moments)
STARRING: Matt "This is the last time, Matt. Next time, we're leaving your butt out there in space" Damon, and a whole lot of other people, just... a lot
NOTABLE CREW: Director: Ridley Scott, Writers: Drew Goddard (screenplay) & Andy Weir (book)
WHAT IT'S ABOUT: When astronaut Mark Watney is accidently stranded alone on the surface of Mars, he must keeps his wits together as he attempts to survive the brutal landscape, while his crew and the NASA team back on earth make a daring attempt to rescue him.
WHAT I THINK: It's like Apollo 13 + Castaway - Tom Hanks + Matt Damon.... on Mars! Walked out of theater convinced I should be an astronaut when I grow up. Remembered I am already a grown up. Refused to believe it. Resolved to force any children I may have in the future to become astronauts. Must learn how to grow potatoes.
WHO SHOULD WATCH IT: Gosh, just about anybody. Good family fun. Yes, there's a few curse words in there, but they really make sense in context. Who wouldn't release an expletitive or two if they found themselves stranded alone on Mars? If you don't want your children to hear certain words, you can just yell "Space!" as loud as you can in their ears whenever one comes up.
COOL FACTOIDS: Andy Weir, the author of the novel, originally published "The Martian" for free on his own blog. People asked him to make it downloadable, so he published on Kindle. A publishing contract and movie deal followed.


NOMINATIONS: Best Picture, Best Directing: George Miller, Best Cinematography: John Seale, Best Film Editing: Margaret Sixel, Best Costume Design: Jenny Beavan, Best Makeup, Best Sound Mixing, Best Sound Editing, Best Visual Effects, Best Production Design: Colin Gibson
RATED: R, because it's a Mad Max movie
GENRE: Action, Adventure, Sci-Fi
STARRING: Not Mel Gibson (Tom Hardy), Charlize Theron as Imperator Furiosa
NOTABLE CREW: Director: George Miller, Writers; George Miller & Brendan McCarthy & Nick Lathouris, and an insane Special Effects, Visual Effects, and Stunt department too numerous to list
WHAT IT'S ABOUT: Mysterious post-apocalyptic desert drifter Max helps a woman rebelling against a tyrannical water-hoarder and her friends find their home.
WHAT I THINK: I've changed my mind. I want to be Furiosa when I grow up. Also flame-thrower freakin' guitar. I'm going to repeat that. FLAME-THROWER FREAKIN' GUITAR!
WHO SHOULD WATCH IT: People who want to see flame-thrower freakin' guitars!
COOL FACTOIDS: George Miller insisted on using practical effects wherever possible, so all the car chase action, the guys swinging between vehicles on poles, the flame-thrower guitar... all real, thanks to an amazing stunt crew. Also, Austrailian artist/muscian Sean Hape (better known as Iota) was actually strapped to the front of a moving vehicle while playing an electric guitar that actually shot gas-powered flames out the end whenever he used the whammy bar.

TITLE: Spotlight
NOMINATIONS: Best Picture, Best Supporting Actor: Mark Ruffalo, Best Supporting Actress: Rachel McAdams, Best Directing: Tom McCarthy, Best Original Screenplay: Josh Singer & Tom McCarthy, Best Editing: Tom McArdle
RATED: R, for heavy use of Boston accents
GENRE: Drama, History
STARRING: Everbody... plus Michael "I am Batman!" Keaton
NOTABLE CREW: Director: Tom McCarthy; Writers: Josh Singer, Tom McCarthy; Editor: Tom McArdle; Cinematographer: Masanobu Takayanagi
WHAT IT'S ABOUT: The true story of how the Boston Globe uncovered the massive scandal of child molestation and cover-up within the local Catholic Archdiocese.
WHAT I THINK: A heart-breaking story and a subtly superb cast. The subject matter is handled with tact and respect. I don't have any jokes here. Just, kudos.
WHO SHOULD WATCH IT: Anyone of a mature enough age to be able to talk about the subject matter. ESPECIALLY recommended to those who either aren't aware of or don't know many of the facts about the real life scandal. (Yes, I know the movie has fictionalized elements, but the facts are real, and this is a good introduction to them.) Truth is important. Hard truth, doubly so. 
COOL FACTOIDS: The real Walter Robinson said about Michael Keaton's portrayal of him, "It is like watching yourself in a mirror, yet having no control of the mirror image."


TITLE: Room
NOMINATIONS: Best Picture, Best Actress: Brie Larson, Best Directing: Lenny Abrahamson, Best Adapted Screenplay: Emma Donoghue
RATED: R, for language and implications of awfulness happening offscreen
GENRE: Drama
STARRING: Brie Larson, Jacob Tremblay, Joan Allen, William H. Macy, Matt Gordon
NOTABLE CREW: Director: Lenny Abrahamson, Writer: Emma Donoghue (also author of novel)
WHAT IT'S ABOUT: After Jack, a five-year-old boy, and his mother escape his mother's kidnapper and the room they've been trapped in for Jack's entire life, he and his mother learn how to live in the outside world again.
WHAT I THINK: Phew! Speaking of hard subjects! This movie is surprisingly inspirational and life-affirming, showing love enduring even through incredibly tough circumstances without ever being unrealistic about the subject matter. Depicting the story from the viewpoint of a five year old child is brilliant and makes me want to read the book. All the performances were wonderful. Brie Larson and Jacob Tremblay (the little boy) were particularly amazing in their roles.
WHO SHOULD WATCH IT: See my "Spotlight" answer (above). The main diffence here being that 'Room' is a fictionalized story inspired by true, but admittedly rare, events. The depiction of post-traumatic stress, however, is a thing many can relate to.
COOL FACTOIDS: Upon winning a Critic's Choice Award for his performance, young Jacob Tremblay announced he was going to display his award next to his model Millinium Falcon. Look it up. It's adorable.


TITLE: Brooklyn
NOMINATIONS: Best Picture, Best Actress: Saoirse Ronan, Best Adapted Screenplay: Nick Hornby
RATED: PG-13, for excessive Irishness
GENRE: Drama, Romance
STARRING: Soorees? Sayersee? Sheersha?... Ronan, Emory Cohen, Domhnall Gleeson again? Isn't this like the fourth major movie he's been in this year?
NOTABLE CREW: Director: John Crowley, Writers: Nick Hornby (screenplay), Colm Toibin (novel)
WHAT IT'S ABOUT: A young Irish immigrant moves to 1950's Brooklyn, where she soon falls into a new romance with a local and must decide where her heart truly calls home.
WHAT I THINK: A best picture nominee I can actually recommend to ALL of my friends? What?! Bonus: In addition to being safe content for all, there is a beautifully told and acted story about the meaning of "home".
WHO SHOULD WATCH IT: You should. I don't know who you are, but.... yeah, I'm getting some vibes that you'll like it. It'll give you the warm fuzzies.
COOL FACTOIDS: A noted Irish actress, Saoirse Ronan was actually born in The Bronx, but raised to Irish parents. This marks her first time using her natural Irish accent in a film.


NOMINATIONS: Best Picture, Best Supporting Actor: Mark Rylance, Best Original Screenplay: Matt Charman and Joel&Ethan Coen, Best Musical Score: Thomas Newman, Best Sound Mixing, Best Production Design
RATED: PG-13, because Steven Spielberg is the king of PG-13
GENRE: Biography, Drama, Thriller
LANGUAGE(S): English with smatterings of German and Russian
STARRING: Mr. Hanks Goes to Washington, Mark Rylance as the old guy I would really enjoy sitting silently next to on a park bench while he painted
NOTABLE CREW: Director: Steven Spielberg, Writers: Matt Charman and Joel & Ethan Coen, Composer: Thomas Newman
WHAT IT'S ABOUT: During the cold war, an American lawyer is hired to defend a Soviet spy in court and must contend with prejudices and international intrigue as he fights for justice for all.
WHAT I THINK: Well acted and well shot with thought provoking subject matter. However, it felt like two different movies, and both of those movies were soaked in an oppressively "inspirational" score and script that seemed to be screaming at the audience, "You should feel something here! Feel it! FEEL IT!"
WHO SHOULD WATCH IT: Cold war history buffs. 
COOL FACTOIDS: This movie was almost made in 1965. It would have starred Alec Guinness as Abel and Gregory Peck (probably reviving his 'To Kill a Mockingbird' persona) as Donovan. It never got made because Cold War tensions were still too high at the time.


TITLE: The Big Short
NOMINATIONS: Best Picture, Best Supporting Actor: Christian Bale, Best Directing: Adam McKay, Best Adapted Screenplay: Charles Rudolph & Adam McKay, Best Film Editing: Hank Corwin
RATED: R, for language
GENRE: Drama, Biography
STARRING: Steve "Shoulda got an Oscar nod for this one too" Carrell and the pretty boy trifecta: Bale, Gosling, and Pitt
NOTABLE CREW: Director: Adam McKay, Writer: Charles Rudolph & Adam McKay (screenplay), Michael Lewis (book), Editor: Hank Corwin
WHAT IT'S ABOUT: Several men from the world of high-finance attempt to exploit the greed of the banks after discovering the fatal flaw in the mortgage industry of 2008. (I promise it's more interesting than it sounds.)
WHAT I THINK: I know absolutely nothing about economics and the mortage industry. When the terms are thrown at me, my eyes glaze over like you're speaking Chinese. (Strike that. Chinese would be easier.) Thankfully, this movie employed some clever and funny fourth wall breaking moments just to explain the mortgage crisis in words scatter-brains like me can understand. Now that I feel more informed, I can say, Shame on you, banking industry of 2008 (and, let's face it, probably beyond)!
WHO SHOULD WATCH IT: Anyone thinking of buying a house. Seriously, just say no to adjustable rate mortgages.
COOL FACTOIDS: Christian Bale, who portrayed Dr. Michael Burry in the film, burrowed Dr. Burry's actual cargo shorts and T-shirt and wore those in the film. Also, apparently he needed no effects for the glass eye. Christian Bale can rest one eye and move the other one around on command.

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